C.F. Martin Guitars Made for Oliver Ditson & Co.
Martins made Ditson 1921 Style 11 #565, 1916 Style 22 #160, and 1920 Style 33 #557.
Martin's 'Ditson Model' guitars, with their wide waisted body shapes reminiscent of early European guitars, were made expressly for the Ditson Stores and came in three sizes, Standard, Concert, and Extra Large.
The Standard Model has a width at the lower bout of 11 1/8'
The Concert Model has a width at the lower bout of 12 3/4'
The Extra Large Model has a width at the lower bout of 15 5/8'
The Extra Large model, requested by Harry Hunt of the Ditson Company, and designed with the help of Martin shop foreman John Deichmann, became known as 'the Dreadnaught', and was the first Dreadnaught guitar ever made.
The Ditson Models had their own model designations, and unlike other Martins, their trim level was designated as 1, 2, or 3, but their size was designated by the number of digits, i.e. 1, 11 or 111.
All of these regular Ditson Models were made with a spruce top and mahogany back and sides.
Some Ditson Model guitars have either lighter orange tinted tops or dark stained tops. In some years the stained top was an option.
While fan bracing is generally associated with lighter guitars made for gut or nylon strings, the Ditson models have the same style of fan bracing as seen on the koa wood guitars made for the Southern California Music Company, which were originally made to be played with heavier steel strings in the Hawaiian style.
The 'Standard' size Ditson Model 1-21, 'Concert' size Ditson Model 11, and 'Extra Large' (Dreadnaught) size Ditson Model 111.
The Models 1, 11 and 111 have dark binding on front, none on the back.
The Models 2, 22 and 222 have white binding front and back.
The earlier Ditson models had bridgessupplied by Lyon & Healy of Chicago with raised flat topped squares on the wings rather than the pyramids typical of many of the better vintage Martins.
The 3 and 33 were fancier models which changed a bit through the years. These had pearl inlaid bridges supplied by Lyon & Healy, and the earliest examples had fancy fingerboard inlays. The extra large 333 was cataloged, but none seem to have been made.
Early Ditson Model 2 #144 and Model 22 #160, both from December, 1916
Early Ditson Model 22 #160 from December, 1916 with white binding, standard tinted top and Chicago style bridge, and one from the very last batch of small Martin 'Ditson Model' guitars, a Model 11, #565 from January, 1921 with dark binding on top only, optional dark tinted top and standard Martin pyramid bridge. The Model 111 was revived in 1923, and 19 more were made between then and 1930, with standard Martin X bracing replacing the earlier fan bracing.
Ditson also sold guitars which combined the trim levels of regular Martin Styles with the same small, narrow body shape of the Ditson 'Standard' size, an example of which is the Style 1-21 shown here. The 1-21 has standard Martin Style 21 trim, including herringbone design marquetry in the rosette around the soundhole and in the center strip on the back. Besides the 1-21, this Ditson size was also available as Ditson Models 1-18, 1-28, 1-30, 1-42, and 1-45.
Ditson Model 1-21 #433 from July, 1919 and Model 11 #565 from January, 1921
Ditson was a large music retailer with stores in New York and Boston (and earlier in Philadelphia), and was one of Martin's largest customers, selling guitars and other instruments, including many mandolins. Besides the 'Ditson Model' Martins, a large number of regular Martin models, stamped with the C. F. Martin name only, were sold by Ditson. A number of the regular Martin models were also sold by Ditson with the Ditson stamp on the back of the headstock and/or on the inside center strip. And many other models, such as the Empire, weremade by other manufacturers for Ditson. So finding an instrument with the Ditson stamp does not necessarily mean you've found a 'Ditson Model' Martin, or even an instrument that was made by Martin at all.
1916 Ditson Model 22 with Oliver Ditson stamps.
During the boom years of the Hawaiian craze, as Martin was struggling to keep up with demand, Martin purchased 'Chicago Style' bridges supplied by Lyon & Healy, which were used on the Ditson models.
Ditson Standard Model Dimensions:
Width at the upper bout, 8 7/16'
Width at waist, 7 1/8'
Width at the lower bout, 11 1/8'
End to bridge, 4 9/16'
Bridge depth, 15/16'
Bridge to soundhole, 4 1/8'
Soundhole, 3 9/16'
Soundhole to 12th fret, 4 1/2'
Ditson Concert Model Dimensions:
Width at the upper bout, 9 7/8'
Width at waist, 8 1/2'
Width at the lower bout - 12 3/4'
End to bridge, 5 13/16'
Bridge depth, 15/16'
Bridge to soundhole, 4'
Soundhole, 3 9/16'
Soundhole to 12th fret, 4 9/16'
C.F. Martin 1916 Ditson Standard Model 1
Listed as 'New Style 1'.
Serial Number 118
Shipped 10/24/16
From the last batch of Ditson Style 1 guitars.
Serial Number 542
Shipped 6/8/20
C.F. Martin 1916 Ditson Standard Model 2
From the first batch of Ditson 'Dreadnaught' guitars.
This is the earliest Martin/Ditson and the earliest 'Dreadnaught' shaped guitar that we know of existing today.
This first batch of Ditsons, listed as Ditson 'Standard' guitars, was specified to be 'like style 2 uke'.
While the second batch of Ditsons, built a month later, were listed as 'Standard Style 2 guitars', this first batch was not assigned with a Style number.
Serial Number 6
Shipped 3/28/16
C.F. Martin 1920 Ditson Concert Model 11
The 'Concert 1' was the last of the Ditson Concert models to be built.
This guitar is from the second batch, one of only 30 Style 22 built.
Serial Number 565
Shipped 1/5/21
C.F. Martin 1916 Ditson Concert Model 22
The 'Concert 2' was the last of the Standard or Concert models to be built.
This guitar is from the second batch, one of only 30 Style 22 built.
Serial Number 160
Shipped 12/30/16
C.F. Martin 1920 Ditson Concert Model 33
From the fourth and final batch, one of 28 built.
Serial Number 557
Shipped 7/31/20
1919 Martin Ditson 3/4 Size Hawaiian Model 1 'Dreadnaught' Guitar
In early 1919, the Ditson Stores ordered six Hawaiian Dreadnaught shape guitars in a 3/4 size, with a short 'terz' scale, a scale length used by C.F. Martin Sr. on some of his earliest guitars.
The proportions of the 3/4 size Hawaiian is closer to the 'Extra Large' full size Dreadnaught.
Scale - 21 1/4'
Serial Number 13520
Ditson 3/4 Size
Width at the upper bout, 8 1/4'
Width at waist, 7 3/8'
Width at the lower bout, 11'
End to bridge, 4 7/16'
Bridge depth, 7/8'
Bridge to soundhole, 3 11/16'
Soundhole, 3 1/8'
Soundhole to 12th fret, 3 11/16'
Total length, 15 3/4'
2 lbs, 0.4 oz.
Ditson 'Standard' Model 1
Width at the upper bout, 8 7/16'
Width at waist, 7 1/8'
Width at the lower bout, 11 1/8'
End to bridge, 4 9/16'
Bridge depth, 15/16'
Bridge to soundhole, 4 1/8'
Soundhole, 3 9/16'
Soundhole to 12th fret, 4 1/2'
Total length, 17 11/16'
1916 Martin Ditson Model 3 Mahogany Dreadnaught Ukulele
In 1916, the Ditson Stores, one of Martin's largest customers, ordered the first Dreadnaught shaped guitars.
In the same year, Ditson also ordered ukuleles in all the various models Martin offered, with a Dreadnaught shape as well.
The Model 3 is one of Martin's most beautiful model ukes, with inlays and multiple stripes on the fretboard, and a design in Ivoroid on the lower face. The earliest ukuleles had simple ebony tuning pegs and an Ivoroid design on the headstock.
C.F. Martin 1918 000-42
In 1918, Martin made their first two Style 42 guitars in the relatively new and larger 000 size. While one of the two was a rather conventional Style 42 in the 000 size, this 000-42 was special ordered by the Ditson Company in 1918 in the style of Ditson's new Dreadnaught guitars, which were built for Hawaiian style playing with steel strings. That makes this guitar a rare example of an extremely early 000 size Martin built for steel strings, as well as a rare example of a Martin built for steel strings with an ivory pyramid style bridge. As was true of the early Martin Dreadnaught, and all of Martin's early Hawaiian steel string guitars built for both the Ditson Company and The Southern California Music Company, this guitar was built with fan braces. This guitar was also special ordered with a cloud shaped pickguard inlaid into the top.
C.F. Martin 1924 Ditson 'Extra Large' 111
The largest of the three sizes of guitars mad by Martin for the Ditson Stores was first known as the 'Extra Large'
This style was later took on the name 'Dreadnaught' after the Extra Large class of battleships, the spelling later becoming 'Dreadnought' with an 'O'.
Early Ditson 111 were fan braced. This Ditson 111 was the first to be X-braced.
C.F. Martin/Ditson 1926 2-17
The Ditson Stores also sold many standard Martin models, but with the Ditson stamp replacing the Martin stamp on the headstock and interior center strip, such as on this model 2-17:
Click on this image to download a full size 1:1 diagram of my 1916 Ditson 2 #144.
Martins made Ditson 1921 Style 11 #565, 1916 Style 22 #160, and 1920 Style 33 #557.
Martin's 'Ditson Model' guitars, with their wide waisted body shapes reminiscent of early European guitars, were made expressly for the Ditson Stores and came in three sizes, Standard, Concert, and Extra Large.
The Standard Model has a width at the lower bout of 11 1/8'
The Concert Model has a width at the lower bout of 12 3/4'
The Extra Large Model has a width at the lower bout of 15 5/8'
The Extra Large model, requested by Harry Hunt of the Ditson Company, and designed with the help of Martin shop foreman John Deichmann, became known as 'the Dreadnaught', and was the first Dreadnaught guitar ever made.
The Ditson Models had their own model designations, and unlike other Martins, their trim level was designated as 1, 2, or 3, but their size was designated by the number of digits, i.e. 1, 11 or 111.
All of these regular Ditson Models were made with a spruce top and mahogany back and sides.
Some Ditson Model guitars have either lighter orange tinted tops or dark stained tops. In some years the stained top was an option.
While fan bracing is generally associated with lighter guitars made for gut or nylon strings, the Ditson models have the same style of fan bracing as seen on the koa wood guitars made for the Southern California Music Company, which were originally made to be played with heavier steel strings in the Hawaiian style.
The 'Standard' size Ditson Model 1-21, 'Concert' size Ditson Model 11, and 'Extra Large' (Dreadnaught) size Ditson Model 111.
The Models 1, 11 and 111 have dark binding on front, none on the back.
The Models 2, 22 and 222 have white binding front and back.
The earlier Ditson models had bridgessupplied by Lyon & Healy of Chicago with raised flat topped squares on the wings rather than the pyramids typical of many of the better vintage Martins.
The 3 and 33 were fancier models which changed a bit through the years. These had pearl inlaid bridges supplied by Lyon & Healy, and the earliest examples had fancy fingerboard inlays. The extra large 333 was cataloged, but none seem to have been made.
Early Ditson Model 2 #144 and Model 22 #160, both from December, 1916
Early Ditson Model 22 #160 from December, 1916 with white binding, standard tinted top and Chicago style bridge, and one from the very last batch of small Martin 'Ditson Model' guitars, a Model 11, #565 from January, 1921 with dark binding on top only, optional dark tinted top and standard Martin pyramid bridge. The Model 111 was revived in 1923, and 19 more were made between then and 1930, with standard Martin X bracing replacing the earlier fan bracing.
Ditson also sold guitars which combined the trim levels of regular Martin Styles with the same small, narrow body shape of the Ditson 'Standard' size, an example of which is the Style 1-21 shown here. The 1-21 has standard Martin Style 21 trim, including herringbone design marquetry in the rosette around the soundhole and in the center strip on the back. Besides the 1-21, this Ditson size was also available as Ditson Models 1-18, 1-28, 1-30, 1-42, and 1-45.
Ditson Model 1-21 #433 from July, 1919 and Model 11 #565 from January, 1921
Ditson was a large music retailer with stores in New York and Boston (and earlier in Philadelphia), and was one of Martin's largest customers, selling guitars and other instruments, including many mandolins. Besides the 'Ditson Model' Martins, a large number of regular Martin models, stamped with the C. F. Martin name only, were sold by Ditson. A number of the regular Martin models were also sold by Ditson with the Ditson stamp on the back of the headstock and/or on the inside center strip. And many other models, such as the Empire, weremade by other manufacturers for Ditson. So finding an instrument with the Ditson stamp does not necessarily mean you've found a 'Ditson Model' Martin, or even an instrument that was made by Martin at all.
1916 Ditson Model 22 with Oliver Ditson stamps.
During the boom years of the Hawaiian craze, as Martin was struggling to keep up with demand, Martin purchased 'Chicago Style' bridges supplied by Lyon & Healy, which were used on the Ditson models.
Ditson Standard Model Dimensions:
Width at the upper bout, 8 7/16'
Width at waist, 7 1/8'
Width at the lower bout, 11 1/8'
End to bridge, 4 9/16'
Bridge depth, 15/16'
Bridge to soundhole, 4 1/8'
Soundhole, 3 9/16'
Soundhole to 12th fret, 4 1/2'
Ditson Concert Model Dimensions:
Width at the upper bout, 9 7/8'
Width at waist, 8 1/2'
Width at the lower bout - 12 3/4'
End to bridge, 5 13/16'
Bridge depth, 15/16'
Bridge to soundhole, 4'
Soundhole, 3 9/16'
Soundhole to 12th fret, 4 9/16'
C.F. Martin 1916 Ditson Standard Model 1
Listed as 'New Style 1'.
Serial Number 118
Shipped 10/24/16
From the last batch of Ditson Style 1 guitars.
Serial Number 542
Shipped 6/8/20
C.F. Martin 1916 Ditson Standard Model 2
From the first batch of Ditson 'Dreadnaught' guitars.
This is the earliest Martin/Ditson and the earliest 'Dreadnaught' shaped guitar that we know of existing today.
This first batch of Ditsons, listed as Ditson 'Standard' guitars, was specified to be 'like style 2 uke'.
While the second batch of Ditsons, built a month later, were listed as 'Standard Style 2 guitars', this first batch was not assigned with a Style number.
Serial Number 6
Shipped 3/28/16
C.F. Martin 1920 Ditson Concert Model 11
The 'Concert 1' was the last of the Ditson Concert models to be built.
This guitar is from the second batch, one of only 30 Style 22 built.
Serial Number 565
Shipped 1/5/21
C.F. Martin 1916 Ditson Concert Model 22
The 'Concert 2' was the last of the Standard or Concert models to be built.
This guitar is from the second batch, one of only 30 Style 22 built.
Serial Number 160
Shipped 12/30/16
C.F. Martin 1920 Ditson Concert Model 33
From the fourth and final batch, one of 28 built.
Serial Number 557
Shipped 7/31/20
1919 Martin Ditson 3/4 Size Hawaiian Model 1 'Dreadnaught' Guitar
In early 1919, the Ditson Stores ordered six Hawaiian Dreadnaught shape guitars in a 3/4 size, with a short 'terz' scale, a scale length used by C.F. Martin Sr. on some of his earliest guitars.
The proportions of the 3/4 size Hawaiian is closer to the 'Extra Large' full size Dreadnaught.
Scale - 21 1/4'
Serial Number 13520
Ditson 3/4 Size
Width at the upper bout, 8 1/4'
Width at waist, 7 3/8'
Width at the lower bout, 11'
End to bridge, 4 7/16'
Bridge depth, 7/8'
Bridge to soundhole, 3 11/16'
Soundhole, 3 1/8'
Soundhole to 12th fret, 3 11/16'
Total length, 15 3/4'
2 lbs, 0.4 oz.
Ditson 'Standard' Model 1
Width at the upper bout, 8 7/16'
Width at waist, 7 1/8'
Width at the lower bout, 11 1/8'
End to bridge, 4 9/16'
Bridge depth, 15/16'
Bridge to soundhole, 4 1/8'
Soundhole, 3 9/16'
Soundhole to 12th fret, 4 1/2'
Total length, 17 11/16'
1916 Martin Ditson Model 3 Mahogany Dreadnaught Ukulele
In 1916, the Ditson Stores, one of Martin's largest customers, ordered the first Dreadnaught shaped guitars.
In the same year, Ditson also ordered ukuleles in all the various models Martin offered, with a Dreadnaught shape as well.
The Model 3 is one of Martin's most beautiful model ukes, with inlays and multiple stripes on the fretboard, and a design in Ivoroid on the lower face. The earliest ukuleles had simple ebony tuning pegs and an Ivoroid design on the headstock.
C.F. Martin 1918 000-42
In 1918, Martin made their first two Style 42 guitars in the relatively new and larger 000 size. While one of the two was a rather conventional Style 42 in the 000 size, this 000-42 was special ordered by the Ditson Company in 1918 in the style of Ditson's new Dreadnaught guitars, which were built for Hawaiian style playing with steel strings. That makes this guitar a rare example of an extremely early 000 size Martin built for steel strings, as well as a rare example of a Martin built for steel strings with an ivory pyramid style bridge. As was true of the early Martin Dreadnaught, and all of Martin's early Hawaiian steel string guitars built for both the Ditson Company and The Southern California Music Company, this guitar was built with fan braces. This guitar was also special ordered with a cloud shaped pickguard inlaid into the top.
C.F. Martin 1924 Ditson 'Extra Large' 111
The largest of the three sizes of guitars mad by Martin for the Ditson Stores was first known as the 'Extra Large'
This style was later took on the name 'Dreadnaught' after the Extra Large class of battleships, the spelling later becoming 'Dreadnought' with an 'O'.
Early Ditson 111 were fan braced. This Ditson 111 was the first to be X-braced.
C.F. Martin/Ditson 1926 2-17
The Ditson Stores also sold many standard Martin models, but with the Ditson stamp replacing the Martin stamp on the headstock and interior center strip, such as on this model 2-17:
Click on this image to download a full size 1:1 diagram of my 1916 Ditson 2 #144.
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Guitar Alchemist Trial. Explore guitar scales, modes and chords visually. Find the exact chord voicing you want in just a few mouse clicks. Version: 1.21 File Size: 7.73 MB Operating system: Windows 7 or later Screen resolution: 1024x768 or more. Guitar Alchemist Free. Genie Backup Manager Pro 9.0.567.891 key code generator. Gemcom Surpac 6.4.1 keygen. Genarts Sapphire 6.14 serial keygen. It is usable with other amps via the 1/4' jack on the top of the guitar (to utilize the matching amp requires a special cable plugged into the guitar's multi-pin jack). There is one volume and one tone knob and 5 tone switches (giving a lot of tone variations for a one pickup guitar), which work through the 1/4' jack. Also see Headstock Styles and Logo Styles for help determining when your guitar was made (particularly helpful if there is no serial number). Note: Any guitar with a serial number with the prefix 'SI' is Indonesian-made. Note #2: Guitars with no serial number were produced at many different times. Samick branded models did not start using serials until around 1987. You can look up the manufacturing date of your guitar by serial number here. If your guitar does not have a serial number and was manufactured prior to 1898, it may only be identifiable by measurements, appointments and stampings. If that is the case, you can send photos and a.
1 21 Guns
A Stamp of Approval
Labels and Stamps on C. F. Martin Guitars
C.F. Martin generally stamped their flat top guitars in three places, on the neck block, on the inside of the back of the guitar, usually on the center strip, and on the back of the headstock of guitars with cedar or mahogany necks, or on the back of the guitar near the neck block on guitars with ebonized necks and a number of early cedar neck guitars.
Early Martin guitars are stamped 'C.F. Martin, New York' in all three places. Beginning in 1867, the year Martin took on partners and incorporated, the headstock stamp remained the same, but the inside center strip stamp read 'C.F. Martin & Co., New York', and neck block stamp followed shortly thereafter. Even after Martin moved to his new home in Cherry Hill, near Nazareth, Pennsylvania, his guitars were sold through a representative in New York, so the New York stamp remained. In 1898, after this sales arrangement dissolved, the Martin company began stamping their guitars 'C.F. Martin, Nazareth, PA.'
In 1898, Martin also began numbering their guitars, beginning with number 8000, an estimate of the number of instruments produced to that date, stamping the serial numbers on the neck block below the 'C. F. Martin & Co.' stamp.
The earliest Martins have paper labels, sometimes accompanied by an outer back stamp as well. Martin also occasionally used paper labels on instruments built for dealers, or other special editions.
Finally, Martins supplied with coffin cases had a label glued to the inside of the top of the case which indicated the style and size of the guitar. Surprisingly, a fairly large percentage of the original cases have survived with the labels still glued to the cases over a century later. If the guitar were separated from the case, however, there would be no designation of the style number and size. In 1934, Martin began stamping the style name and size on the neck block below the serial number. For a short time in 1900, Martin also stamped the serial numbers of some guitars on the end of the headstock.
Paper Labels
Several different labels appear on Martin Guitars with the 196 Hudson Street New York address.
Heinrich Schatz, C.F. Martin's friend and co-worker from Saxony to New York to Pennsylvania, was listed as a partner for a short time in the late
New York period. When the Martin family moved from New York to Pennsylvania, they sold inventory to Ludecus and Wolter for liquidation.
I've located Hudson Street Martins with similar labels and the following numbers:
No. 1114 C. F. Martin Museum. Raised ivory fingerboard & neck, tapered fretboard
No. 1160 Private Collection. Flat ebony fingerboard, round end fretboard
No. 1168 Sold by Gruhn Guitars, Nashville. Raised ivory fingerboard, tapered fretboard
No. 1173 Fred Oster, Vintage Instruments, Philadelphia. Flat ebony fingerboard, round end fretboard
No. 1176 Illustrated above, Raised ebony fingerboard, round end fretboard
No. 1188 Metropolitan Museum of Art, New York. Raised ebony fingerboard, tapered fretboard
No. 1296 Martin & Schatz illustrated above, Raised ivory fingerboard, square end fretboard
In the 1840's Martin teamed with John Coupa, who sold guitars with the 'Martin & Coupa' label.
Martin Coupa label with the 'John F. Nunns' store stamp and Coupa's Chestnut Street address attached:
The original Martin & Coupa label:
This label appeared in a small number of zithers built for P. H. Louis Brachet of Philadelphia in the 1880's.
The 'M. Nunes & Sons, Royal Hawaiian' label appears on some Hawaiian Guitars made for the Southern California Music Company to appeal to the Hawaiian market, while other SoCal models sport the 'Rolando' label.
The S.S. Stewart Label appears on 2-17 Special Guitars Produced for Buegeleisen & Jacobson in 1923